6.24.2010

Can you say, Hero??

Can you say..."Hero"?

Fred Rogers has been doing the same small good thing for a very long time

By TOM JUNOD Nov 1, 1998


ONCE UPON A TIME, a little boy loved a stuffed animal whose name was Old Rabbit. It was so old, in fact, that it was really an unstuffed animal; so old that even back then, with the little boy's brain still nice and fresh, he had no memory of it as "Young Rabbit," or even "Rabbit"; so old that Old Rabbit was barely' a rabbit at all but rather a greasy hunk of skin without eyes and ears, with a single red stitch where its tongue used to be. The little boy didn't know why he loved Old Rabbit he just did, and the night he threw it out the car window was the night he learned how to pray. He would grow up to become a great prayer, this little boy, but only intermittently, only fitfully, praying only when fear and desperation drove him to it, and the night he threw Old Rabbit into the darkness was the night that set the pattern, the night that taught him how. He prayed for Old Rabbit's safe return, and when, hours later, his mother and father came home with the filthy, precious strip of rabbity roadkill, he learned not only that prayers are sometimes answered but also the kind of severe effort they entail, the kind of endless frantic summoning. And so when he threw Old Rabbit out the car window the next time, it was gone for good.

YOU WERE A CHILD ONCE, TOO. That's what Mister Rogers said, that's what he wrote down, once upon a time, for the doctors. The doctors were ophthalmologists. An ophthalmologist is a doctor who takes care of the eyes. Sometimes, ophthalmologists have to take care of the eyes of children, and some children get very scared, because children know that their world disappears when their eyes close, and they can be afraid that the ophthalmologists will make their eyes close forever. The ophthalmologists did not want to scare children, so they asked Mister Rogers for help, and Mister Rogers agreed to write a chapter for a book the ophthalmologists were putting together--a chapter about what other ophthalmologists could do to calm the children who came to their offices. Because Mister Rogers is such a busy man, however, he could not write the chapter himself, and he asked a woman who worked for him to write it instead. She worked very hard at writing the chapter, until one day she showed what she had written to Mister Rogers, who read it and crossed it all out and wrote a sentence addressed directly to the doctors who would be reading it: "You were a child once, too."

And that's how the chapter began.

THE OLD NAVY-BLUE SPORT JACKET comes off first, then the dress shoes, except that now there is not the famous sweater or the famous sneakers to replace them, and so after the shoes he's on to the dark socks, peeling them off and showing the blanched skin of his narrow feet. The tie is next, the scanty black batwing of a bow tie hand-tied at his slender throat, and then the shirt, always white or light blue, whisked from his body button by button. He wears an undershirt, of course, but no matter--soon that's gone, too, as is the belt, as are the beige trousers, until his undershorts stand as the last impediment to his nakedness. They are boxers, egg-colored, and to rid himself of them he bends at the waist, and stands on one leg, and hops, and lifts one knee toward his chest and then the other and then... Mister Rogers has no clothes on.

Nearly every morning of his life, Mister Rogers has gone swimming, and now, here he is, standing in a locker room, seventy years old and as white as the Easter Bunny, rimed with frost wherever he has hair, gnawed pink in the spots where his dry skin has gone to flaking, slightly wattled at the neck, slightly stooped at the shoulder, slightly sunken in the chest, slightly curvy at the hips, slightly pigeoned at the toes, slightly as wing at the fine bobbing nest of himself... and yet when he speaks, it is in that voice, his voice, the famous one, the unmistakable one, the televised one, the voice dressed in sweater and sneakers, the soft one, the reassuring one, the curious and expository one, the sly voice that sounds adult to the ears of children and childish to the ears of adults, and what he says, in the midst of all his bobbing-nudity, is as understated as it is obvious: "Well, Tom, I guess you've already gotten a deeper glimpse into my daily routine than most people have."

ONCE UPON A TIME, a tong time ago, a man took off his jacket and put on a sweater. Then he took off his shoes and put on a pair of sneakers. His name was Fred Rogers. He was starting a television program, aimed at children, called Mister Rogers' Neighborhood. He had been on television before, but only as the voices and movements of puppets, on a program called The Children's Corner. Now he was stepping in front of the camera as Mister Rogers, and he wanted to do things right, and whatever he did right, he wanted to repeat. And so, once upon a time, Fred Rogers took off his jacket and put on a sweater his mother had made him, a cardigan with a zipper. Then he took off his shoes and put on a pair of navy-blue canvas boating sneakers. He did the same thing the next day, and then the next... until he had done the same things, those things, 865 times, at the beginning of 865 television programs, over a span of thirty-one years. The first time I met Mister Rogers, he told me a story of how deeply his simple gestures had been felt, and received. He had just come back from visiting Koko, the gorilla who has learned--or who has been taught--American Sign Language. Koko watches television. Koko watches Mister Rogers' Neighborhood, and when Mister Rogers, in his sweater and sneakers, entered the place where she lives, Koko immediately folded him in her long, black arms, as though he were a child, and then... "She took my shoes off, Tom," Mister Rogers said.

Koko was much bigger than Mister Rogers. She weighed 280 pounds, and Mister Rogers weighed 143. Koko weighed 280 pounds because she is a gorilla, and Mister Rogers weighed 143 pounds because he has weighed 143 pounds as long as he has been Mister Rogers, because once upon a time, around thirty-one years ago, Mister Rogers stepped on a scale, and the scale told him that Mister Rogers weighs 143 pounds. No, not that he weighed 143 pounds, but that he weighs 143 pounds.... And so, every day, Mister Rogers refuses to do anything that would make his weight change--he neither drinks, nor smokes, nor eats flesh of any kind, nor goes to bed late at night, nor sleeps late in the morning, nor even watches television--and every morning, when he swims, he steps on a scale in his bathing suit and his bathing cap and his goggles, and the scale tells him he weighs 143 pounds. This has happened so many times that Mister Rogers has come to see that number as a gift, as a destiny fulfilled, because, as he says, "the number 143 means `I love you.' It takes one letter to say 'I' and four letters to say `love' and three letters to say `you.' One hundred and forty-three. `I love you.' Isn't that wonderful?"

THE FIRST TIME I CALLED MISTER ROGERS on the telephone, I woke him up from his nap. He takes a nap every day in the late afternoon--just as he wakes up every morning at five-thirty to read and study and write and pray for the legions who have requested his prayers; just as he goes to bed at nine-thirty at night and sleeps eight hours without interruption. On this afternoon, the end of a hot, yellow day in New York City, he was very tired, and when I asked if I could go to his apartment and see him, he paused for a moment and said shyly, "Well, Tom, I'm in my bathrobe, if you don't mind." I told him I didn't mind, and when, five minutes later, I took the elevator to his floor, well, sure enough, there was Mister Rogers, silver-haired, standing in the golden door at the end of the hallway and wearing eyeglasses and suede moccasins with rawhide laces and a flimsy old blue-and-yellow bathrobe that revealed whatever part of his skinny white calves his dark-blue dress socks didn't hide. "Welcome, Tom," he said with a slight bow, and bade me follow him inside, where he lay down--no, stretched out, as though he had known me all his life--on a couch upholstered with gold velveteen; He rested his head on a small pillow and kept his eyes closed while he explained that he had bought the apartment thirty years before for $11,000 and kept it for whenever he came to New York on business for the Neighborhood. I sat in an old armchair and looked around. The place was drab and dim, with the smell of stalled air and a stain of daguerreotype sunlight on its closed, slatted blinds, and Mister Rogers looked so at home in its gloomy familiarity that I thought he was going to fall back asleep when suddenly the phone rang, startling him. "Oh, hello, my dear," he said when he picked it up, and then he said that he had a visitor, someone who wanted to learn more about the Neighborhood. "Would you like to speak to him?" he asked, and then handed me the phone: "It's Joanne," he said. I took the phone and spoke to a woman--his wife, the mother of his two sons--whose voice was hearty and almost whooping in its forthrightness and who spoke to me as though she had known me for a long time and was making the effort to keep up the acquaintance. When I handed him back the phone, he said, "Bye, my dear," and hung up and curled on the couch like a cat, with his bare calves swirled underneath him and one of his hands gripping his ankle, so that he looked as languorous as an odalisque. There was an energy to him, however, a fearlessness, an unashamed insistence on intimacy; and though I tried to ask him questions about himself, he always turned the questions back on me, and when I finally got him to talk about the puppets that were the comfort of his lonely boyhood, he looked at me, his gray-blue eyes at once mild and steady; and asked, "What about you, Tom? Did you have any special friends growing up?"

"Special friends?"

"Yes," he said. "Maybe a puppet, or a special toy, or maybe just a stuffed animal you loved very much. Did you have a special friend like that, Tom?"

"Yes, Mister Rogers."

"Did your special friend have a name, Tom?"

"Yes, Mister Rogers. His name was Old Rabbit."

"Old Rabbit. Oh, and I'll bet the two of you were together since he was a very young rabbit. Would you like to tell me about Old Rabbit, Tom?"

And it was just about then, when I was spilling the beans about my special friend, that Mister Rogers rose from his corner of the couch and stood suddenly in front of me with a small black camera in hand. "Can I take your picture, Tom?" he asked. "I'd like to take your picture. I like to take pictures of all my new friends, so that I can show them to Joanne .... "And then, in the dark room, there was a wallop of white light, and Mister Rogers disappeared behind it.

ONCE UPON A TIME, there was a boy who didn't like himself very much. It was not his fault. He was born with cerebral palsy. Cerebral palsy is something that happens to the brain. It means that you can think but sometimes can't walk, or even talk. This boy had a very bad case of cerebral palsy, and when he was still a little boy; some of the people entrusted to take care of him took advantage of him instead and did things to him that made him think that he was a very bad little boy, because only a bad little boy would have to live with the things he had to live with. In fact, when the little boy grew up to be a teenager, he would get so mad at himself that he would hit himself, hard, with his own fists and tell his mother, on the computer he used for a mouth, that he didn't want to live anymore, for he was sure that God didn't like what was inside him any more than he did. He had always loved Mister Rogers, though, and now, even when he was fourteen years old, he watched the Neighborhood whenever it was on, and the boy's mother sometimes thought that Mister Rogers was keeping her son alive. She and the boy lived together in a city in California, and although she wanted very much for her son to meet Mister Rogers, she knew that he was far too disabled to travel all the way to Pittsburgh, so she figured he would never meet his hero, until one day she learned through a special foundation designed to help children like her son that Mister Rogers was coming to California and that after he visited the gorilla named Koko, he was coming to meet her son.

At first, the boy was made very nervous by the thought that Mister Rogers was visiting him. He was so nervous, in fact, that when Mister Rogers did visit, he got mad at himself and began hating himself and hitting himself, and his mother had to take him to another room and talk to him. Mister Rogers didn't leave, though. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. He just waited patiently; and when the boy came back, Mister Rogers talked to him, and then he made his request. He said, "I would like you to do something for me. Would you do something for me?" On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said, "I would like you to pray for me, Will you pray for me?" And now the boy didn't know how to respond. He was thunderstruck. Thunderstruck means that you can't talk, because something has happened that's as sudden and as miraculous and maybe as scary as a bolt of lightning, and all you can do is listen to the rumble. The boy was thunderstruck because nobody had ever asked him for something like that, ever. The boy had always been prayed for. The boy had always been the object of prayer, and now he was being asked to pray for Mister Rogers, and although at first he didn't know if he could do it, he said he would, he said he'd try, and ever since then he keeps Mister Rogers in his prayers and doesn't talk about wanting to die anymore, because he figures Mister Rogers is close to God, and if Mister Rogers likes him, that must mean God likes him, too.

As for Mister Rogers himself.., well, he doesn't look at the story in the same way that the boy did or that I did. In fact, when Mister Rogers first told me the story, I complimented him on being so smart--for knowing that asking the boy for his prayers would make the boy feel better about himself--and Mister Rogers responded by looking at me at first with puzzlement and then with surprise. "Oh, heavens no, Tom! I didn't ask him for his prayers for him; I asked for me. I asked him because I think that anyone who has gone through challenges like that must be very close to God. I asked him because I wanted his intercession."

ON DECEMBER 1, 1997 --oh, heck, once upon a time--a boy, no longer little, told his friends to watch out, that he was going to do something "really big" the next day at school, and the next day at school he took his gun and his ammo and his earplugs and shot eight classmates who had clustered for a prayer meeting. Three died, and they were still children, almost. The shootings took place in West Paducah, Kentucky, and when Mister Rogers heard about them, he said, "Oh, wouldn't the world be a different place if he had said, `I'm going to do something really little tomorrow,'" and he decided to dedicate a week of the Neighborhood to the theme "Little and Big." He wanted to tell children that what starts out little can sometimes become big, and so they could devote themselves to little dreams without, feeling bad about them. But how could Mister Rogers show little becoming big, and vice versa? That was a challenge. He couldn't just say it, the way he could always just say to the children who watch his program that they are special to him, or even sing it, the way he could always just sing "It's You I Like" and "Everybody's Fancy" and "It's Such a Good Feeling" and "Many Ways to Say I Love You" and "Sometimes People Are Good." No, he had to show it, he had to demonstrate it, and that's how Mister Rogers and the people who work for him eventually got the idea of coming to New York City to visit a woman named Maya Lin.

Maya Lin is a famous architect. Architects are people who create big things from the little designs they draw on pieces of paper. Most famous architects are famous for creating big famous buildings, but Maya Lin is more famous for creating big fancy things for people to look at, and in fact, when Mister Rogers had gone to her studio the day before, he looked at the pictures she had drawn of the clock that is now on the ceiling of a place in New York called Penn Station. A clock is a machine that tells people what time it is, but as Mister Rogers sat in the backseat of an old station wagon hired to take him from his apartment to Penn Station, he worried that Maya Lin's clock might be too fancy and that the children who watch the Neighborhood might not understand it. Mister Rogers always worries about things like that, because he always worries about children, and when his station wagon stopped in traffic next to a bus stop, he read aloud the advertisement of an airline trying to push its international service. "Hmmm," Mister Rogers said, "that's a strange ad. `Most people think of us as a great domestic airline. We hate that.' Hmmm. Hate is such a strong word to use so lightly. If they can hate something like that, you wonder how easy it would be for them to hate something more important." He was with his producer, Margy Whitmer. He had makeup on his face and a dollop of black dye combed into his silver hair. He was wearing beige pants, a blue dress shirt, a tie, dark socks, a pair of dark-blue boating sneakers, and a purple, zippered cardigan. He looked very little in the backseat of the car. Then the car stopped on Thirty-fourth Street, in front of the escalators leading down to the station, and when the doors opened--

"Holy shit! It's Mister Fucking Rogers!"

--he turned into Mister Fucking Rogers. This was not a bad thing, however, because he was in New York, and in New York it's not an insult to be called Mister Fucking Anything. In fact, it's an honorific. An honorific is what people call you when they respect you, and the moment Mister Rogers got out of the car, people wouldn't stay the fuck away from him, they respected him so much. Oh, Margy Whitmer tried to keep people away from him, tried to tell people that if they gave her their names and addresses, Mister Rogers would send them an autographed picture, but every time she turned around, there was Mister Rogers putting his arms around someone, or wiping the tears off someone's cheek, or passing around the picture of someone's child, or getting on his knees to talk to a child. Margy couldn't stop them, and she couldn't stop him. "Oh, Mister Rogers, thank you for my childhood," "Oh, Mister Rogers, you're the father I never had." "Oh, Mister Rogers, would you please just hug me?" After a while, Margy just rolled her eyes and gave up, because it's always like this with Mister Rogers, because the thing that people don't understand about him is that he's greedy for this--greedy for the grace that people offer him. What is grace? He doesn't even know. He can't define it. This is a man who loves the simplifying force of definitions, and yet all he knows of grace is how he gets it; all he knows is that he gets it from God, through man. And so in Penn Station, where he was surrounded by men and women and children, he had this power, like a comic-book superhero who absorbs the energy of others until he bursts out of his shirt.

"If Mister Fucking Rogers can tell me how to read that fucking clock, I'll watch his show every day for a fucking year--"that's what someone in the crowd said while watching Mister Rogers and Maya Lin crane their necks at Maya Lin's big fancy clock, but it didn't even matter whether Mister Rogers could read the clock or not, because every time he looked at it, with the television cameras on him, he leaned back from his waist and opened his mouth wide with astonishment, like someone trying to catch a peanut he had tossed into the air, until it became clear that Mister Rogers could show that he was astonished all day if he had to, or even forever, because Mister Rogers lives in a state of astonishment, and the astonishment he showed when he looked at the clock was the same astonishment he showed when people--absolute strangers--walked up to him and fed his hungry ear with their whispers, and he turned to me, with an open, abashed mouth, and said, "Oh, Tom, if you could only hear the stories I hear!"

ONCE UPON A TIME, Mister Rogers went to New York City and got caught in the rain. He didn't have an umbrella, and he couldn't find a taxi, either, so he ducked with a friend into the subway and got on one of the trains. It was late in the day, and the train was crowded with children who were going home from school. Though of all races, the schoolchildren were mostly black and Latino, and they didn't even approach Mister Rogers and ask him for his autograph. They just sang. They sang, all at once, all together, the song he sings at the start of his program, "Won't You Be My Neighbor?" and turned the clattering train into a single soft, runaway choir.

HE FINDS ME, OF COURSE, AT PENN STATION. He finds me, because that's what Mister Rogers does--he looks, and then he finds. I'm standing against a wall, listening to a bunch of mooks from Long Island discuss the strange word--[Greek text cannot be converted in ASCII text]--he has written down on each of the autographs he gave them. First mook: "He says it's the Greek word for grace." Second mook: "Huh. That's cool. I'm glad I know that. Now, what the fuck is grace?" First mook: "Looks like you're gonna have to break down and buy a dictionary." Second mook: "Fuck that. What I'm buying is a ticket to the fucking Lotto. I just met Mister Rogers--this is definitely my lucky day." I'm listening to these guys when, from thirty feet away, I notice Mister Rogers looking around for someone and know, immediately; that he is looking for me. He is on one knee in front of a little gift who is hoarding, in her arms, a small stuffed animal, sky-blue, a bunny.

"Remind you of anyone, Tom?" he says when I approach the two of them. He is not speaking of the little girl.

"Yes, Mister Rogers."

"Looks a little bit like... Old Rabbit, doesn't it, Tom?"

"Yes, Mister Rogers."

"I thought so." Then he turns back to the little girl. "This man's name is Tom. When he was your age, he had a rabbit, too, and he loved it very much. Its name was Old Rabbit. What is yours named?"

The little girl eyes me suspiciously, and then Mister Rogers. She goes a little knock-kneed, directs a thumb toward her mouth. "Bunny Wunny," she says.

"Oh, that's a nice name," Mister Rogers says, and then goes to the Thirty-fourth Street escalator to climb it one last time for the cameras. When he reaches the street, he looks right at the lens, as he always does, and says, speaking of the Neighborhood, "Let's go back to my place," and then makes a right turn toward Seventh Avenue, except that this time he just keeps going, and suddenly Margy Whitmer is saying, "Where is Fred? Where is Fred?" and Fred, he's a hundred yards away; in his sneakers and his purple sweater, and the only thing anyone sees of him is his gray head bobbing up and down amid all the other heads, the hundreds of them, the thousands, the millions, disappearing into the city and its swelter.

ONCE UPON A TIME, a little boy with a big sword went into battle against Mister Rogers. Or maybe, if the truth be told, Mister Rogers went into battle against a little boy with a big sword, for Mister Rogers didn't like the big sword. It was one of those swords that really isn't a sword at all; it was a big plastic contraption with lights and sound effects, and it was the kind of sword used in defense of the universe by the heroes of the television shows that the little boy liked to watch. The little boy with the big sword did not watch Mister Rogers. In fact, the little boy with the big sword didn't know who Mister Rogers was, and so when Mister Rogers knelt down in front of him, the little boy with the big sword looked past him and through him, and when Mister Rogers said, "Oh, my; that's a big sword you have," the boy didn't answer, and finally his mother got embarrassed and said, "Oh, honey, c'mon, that's Mister Rogers," and felt his head for fever. Of course, she knew who Mister Rogers was, because she had grown up with him, and she knew that he was good for her son, and so now, with her little boy zombie-eyed under his blond bangs, she apologized, saying to Mister Rogers that she knew he was in a rush and that she knew he was here in Penn Station taping his program and that her son usually wasn't like this, he was probably just tired .... Except that Mister Rogers wasn't going anywhere. Yes, sure, he was taping, and right there, in Penn Station in New York City, were throngs of other children wiggling in wait for him, but right now his patient gray eyes were fixed on the little boy with the big sword, and so he stayed there, on one knee, until the little boy's eyes finally focused on Mister Rogers, and he said, "It's not a sword; it's a death ray." A death ray! Oh, honey, Mommy knew you could do it .... And so now, encouraged, Mommy said, "Do you want to give Mister Rogers a hug, honey?" But the boy was shaking his head no, and Mister Rogers was sneaking his face past the big sword and the armor of the little boy's eyes and whispering something in his ear--something that, while not changing his mind about the hug, made the little boy look at Mister Rogers in a new way, with the eyes of a child at last, and nod his head yes.

We were heading back to his apartment in a taxi when I asked him what he had said.

"Oh, I just knew that whenever you see a little boy carrying something like that, it means that he wants to show people that he's strong on the outside."

"I just wanted to let him know that he was strong on the inside, too."

"And so that's what I told him."

"I said, `Do you know that you're strong on the inside, too?'"

"Maybe it was something he needed to hear."

HE WAS BARELY MORE THAN A BOY himself when he learned what he would be fighting for, and fighting against, for the rest of his life. He was in college. He was a music major at a small school in Florida and planning to go to seminary upon graduation. His name was Fred Rogers. He came home to Latrobe, Pennsylvania, once upon a time, and his parents, because they were wealthy, had bought something new for the corner room of their big redbrick house. It was a television. Fred turned it on, and, as he says now, with plaintive distaste, "there were people throwing pies at one another." He was the soft son of overprotective parents, but he believed, right then, that he was strong enough to enter into battle with that--that machine, that medium--and to wrestle with it until it yielded to him, until the ground touched by its blue shadow became hallowed and this thing called television came to be used "for the broadcasting of grace through the land." It would not be easy, no--for in order to win such a battle, he would have to forbid himself the privilege of stopping, and whatever he did right he would have to repeat, as though he were already living in eternity. And so it was that the puppets he employed on The Children's Comer would be the puppets he employed forty-four years later, and so it was that once he took off his jacket and his shoes... well, he was Mister Rogers for good. And even now, when he is producing only three weeks' worth of new programs a year, he still winds up agonizing--agonizing--about whether to announce his theme as "Little and Big" or "Big and Little" and still makes only two edits per televised minute, because he doesn't want his message to be determined by the cuts and splices in a piece of tape--to become, despite all his fierce coherence, "a message of fragmentation."

He is losing, of course. The revolution he started--a half hour a day, five days a week--it wasn't enough, it didn't spread, and so, forced to fight his battles alone, Mister Rogers is losing, as we all are losing. He is losing to it, to our twenty-four-hour-a-day pie fight, to the dizzying cut and the disorienting edit, to the message of fragmentation, to the flicker and pulse and shudder and strobe, to the constant, hivey drone of the electroculture... and yet still he fights, deathly afraid that the medium he chose is consuming the very things he tried to protect: childhood and silence. Yes, at seventy years old and 143 pounds, Mister Rogers still fights, and indeed, early this year, when television handed him its highest honor, he responded by telling television--gently; of course--to just shut up for once, and television listened. He had already won his third Daytime Emmy, and now he went onstage to accept Emmy's Lifetime Achievement Award, and there, in front of all the soap-opera stars and talk-show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, "All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are .... Ten seconds of silence." And then he lifted his wrist, and looked at the audience, and looked at his watch, and said softly, "I'll watch the time," and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn't kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked... and so they did. One second, two seconds, three seconds... and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, "May God be with you" to all his vanquished children.

ONCE UPON A TIME, there was a little boy born blind, and so, defenseless in the world, he suffered the abuses of the defenseless, and when he grew up and became a man, he looked back and realized that he'd had no childhood at all, and that if he were ever to have a childhood, he would have to start having it now, in his forties. So the first thing he did was rechristen himself "Joybubbles"; the second thing he did was declare himself five years old forever; and the third thing he did was make a pilgrimage to Pittsburgh, where the University of Pittsburgh's Information Sciences Library keeps a Mister Rogers archive. It has all 865 programs, in both color and black and white, and for two months this past spring, Joybubbles went to the library every day for ten hours and watched the Neighborhood's every episode, plus specials--or, since he is blind, listened to every episode, imagined every episode. Until one night, Mister Rogers came to him, in what he calls a visitation--"I was dreaming, but I was awake"--and offered to teach him how to pray.

"But Mister Rogers, I can't pray," Joybubbles said, "because every time I try to pray, I forget the words."

"I know that," Mister Rogers said, "and that's why the prayer I'm going to teach you has only three words."

"What prayer is that, Mister Rogers? What kind of prayer has only three words?"

"Thank you, God," Mister Rogers said.

THE WALLS OF MISTER ROGERS' Neighborhood are light blue and fleeced with clouds. They are tall--as tall as the cinder-block walls they are designed to hide--and they encompass the Neighborhood's entire stage set, from the flimsy yellow house where Mister Rogers comes to visit, to the closet where he finds his sweaters, to the Neighborhood of Make-Believe, where he goes to dream. The blue walls are the ends of the daylit universe he has made, and yet Mister Rogers can't see them--or at least can't know them--because he was born blind to color. He doesn't know the color of his walls, and one day when I caught him looking toward his painted skies, I asked him to tell me what color they are, and he said, "I imagine they're blue, Tom." Then he looked at me and smiled. "I imagine they're blue."

He has spent thirty-one years imagining and reimagining those walls--the walls that have both penned him in and set him free. You would think it would be easy by now, being Mister Rogers; you would think that one morning he would wake up and think, Okay, all I have to do is be nice for my allotted half hour today, and then I'll just take the rest of the day off. .... But no, Mister Rogers is a stubborn man, and so on the day I ask about the color of his sky, he has already gotten up at five-thirty, already prayed for those who have asked for his prayers, already read, already written, already swum, already weighed himself, already sent out cards for the birthdays he never forgets, already called any number of people who depend on him for comfort, already cried when he read the letter of a mother whose child was buried with a picture of Mister Rogers in his casket, already played for twenty minutes with an autistic boy who has come, with his father, all the way from Boise, Idaho, to meet him. The boy had never spoken, until one day he said, "X the Owl," which is the name of one of Mister Rogers's puppets, and he had never looked his father in the eye until one day his father had said, "Let's go to the Neighborhood of Make-Believe," and now the boy is speaking and reading, and the father has come to thank Mister Rogers for saving his son's life .... And by this time, well, it's nine-thirty in the morning, time for Mister Rogers to take off his jacket and his shoes and put on his sweater and his sneakers and start taping another visit to the Neighborhood. He writes all his own scripts, but on this day when he receives a visit from Mrs. McFeely and a springer spaniel, she says that she has to bring the dog "back to his owner," and Mister Rogers makes a face. The cameras stop, and he says, "I don't like the word owner there. It's not a good word. Let's change it to 'bring the dog home.'" And so the change is made, and the taping resumes, and this is how it goes all day a life unfolding within a clasp of unfathomable governance, and once, when I lose sight of him, I ask Margy Whitmer where he is, and she says, "Right over your shoulder, where he always is," and when I turn around, Mister Rogers is facing me, child-stealthy with a small black camera in his hand, to take another picture for the album that he will give me when I take my leave of him.

Yes, it should be easy being Mister Rogers, but when four o'clock rolls around, well, Mister Rogers is tired, and so he sneaks over to the piano and starts playing, with dexterous, pale fingers, the music that used to end a 1940s newsreel and that has now become the music he plays to signal to the cast and crew that a day's taping has wrapped. On this day, however, he is premature by a considerable extent, and so Margy, who has been with Mister Rogers since 1983--because nobody who works for Mister Rogers ever leaves the Neighborhood--comes running over, papers in hand, and says, "Not so fast there, buster."

"Oh, please, sister," Mister Rogers says. "I'm done."

And now Margy comes up behind him and massages his shoulders. "No, you're not," she says. "Roy Rogers is done. Mister Rogers still has a ways to go."

HE WAS A CHILD ONCE, TOO, and so one day I asked him if I could go with him back to Latrobe. He thought about it for a second, then said, by way of agreement, "Okay then-tomorrow, Tom, I'll show you childhood." Not his childhood, mind you, or even a childhood--no, just "childhood." And so the next morning, we swam together, and then he put back on his boxer shorts and the dark socks, and the T-shirt, and the gray trousers, and the belt, and then the white dress shirt and the black bow tie and the gray suit jacket, and about two hours later we were pulling up to the big brick house on Weldon Street in Latrobe, and Mister Rogers was thinking about going inside.

There was nobody home. The doors were open, unlocked, because the house was undergoing a renovation of some kind, but the owners were away, and Mister Rogers's boyhood home was empty of everyone but workmen. "Do you think we can go in?" he asked Bill Isler, president of Family Communications, the company that produces Mister Rogers' Neighborhood. Bill had driven us there, and now, sitting behind the wheel of his red Grand Cherokee, he was full of remonstrance. "No!" he said. "Fred, they're not home. If we wanted to go into the house, we should have called first. Fred..." But Mister Rogers was out of the car, with his camera in his hand and his legs moving so fast that the material of his gray suit pants furled and unfurled around both of his skinny legs, like flags exploding in a breeze. And here, as he made his way through thickets of bewildered workmen--this skinny old man dressed in a gray suit and a bow tie, with his hands on his hips and his arms akimbo, like a dance instructor--there was some kind of wiggly jazz in his legs, and he went flying all around the outside of the house, pointing at windows, saying there was the room where he learned to play the piano, and there was the room where he saw the pie fight on a primitive television, and there was the room where his beloved father died... until finally we reached the front door. He put his hand on the knob; he cracked it open, but then, with Bill Isler calling caution from the car, he said, "Maybe we shouldn't go in. And all the people who made this house special to me are not here, anyway. They're all in heaven."

And so we went to the graveyard. We were heading there all along, because Mister Rogers loves graveyards, and so as we took the long, straight road out of sad, fading Latrobe, you could still feel the speed in him, the hurry, as he mustered up a sad anticipation, and when we passed through the cemetery gates, he smiled as he said to Bill Isler, "The plot's at the end of the yellow-brick road." And so it was; the asphalt ended, and then we began bouncing over a road of old blond bricks, until even that road ended, and we were parked in front of the place where Mister Rogers is to be buried. He got out of the car, and, moving as quickly as he had moved to the door of his house, he stepped up a small hill to the door of a large gray mausoleum, a huge structure built for six, with a slightly peaked roof, and bronze doors, and angels living in the stained glass. He peeked in the window, and in the same voice he uses on television, that voice, at once so patient and so eager, he pointed out each crypt, saying, "There's my father, and there's my mother, and there, on the left, is my place, and right across will be Joanne. .... " The window was of darkened glass, though, and so to see through it, we had to press our faces close against it, and where the glass had warped away from the frame of the door--where there was a finger-wide crack--Mister Rogers's voice leaked into his grave, and came back to us as a soft, hollow echo.

And then he was on the move again, happily, quickly, for he would not leave until he showed me all the places of all those who'd loved him into being. His grandfather, his grandmother, his uncles, his aunts, his father-in-law and mother-in-law, even his family's servants--he went to each grave, and spoke their names, and told their stories, until finally I headed back down to the Jeep and turned back around to see Mister Rogers standing high on a green dell, smiling among the stones. "And now if you don't mind," he said without a hint of shame or embarrassment, "I have to go find a place to relieve myself," and then off he went, this ecstatic ascetic, to take a proud piss in his corner of heaven.

ONCE UPON A TIME, a man named Fred Rogers decided that he wanted to live in heaven. Heaven is the place where good people go when they die, but this man, Fred Rogers, didn't want to go to heaven; he wanted to live in heaven, here, now, in this world, and so one day, when he was talking about all the people he had loved in this life, he looked at me and said, "The connections we make in the course of a life--maybe that's what heaven is, Tom. We make so many connections here on earth. Look at us--I've just met you, but I'm invested in who you are and who you will be, and I can't help it."

The next afternoon, I went to his office in Pittsburgh. He was sitting on a couch, under a framed rendering of the Greek word for grace and a biblical phrase written in Hebrew that means "I am my beloved's, and my beloved is mine." A woman was with him, sitting in a big chair. Her name was Deb. She was very pretty. She had a long face and a dark blush to her skin. She had curls in her hair and stars at the centers of her eyes. She was a minister at Fred Rogers's church. She spent much of her time tending to the sick and the dying. Fred Rogers loved her very much, and so, out of nowhere, he smiled and put his hand over hers. "Will you be with me when I die?" he asked her, and when she said yes, he said, "Oh, thank you, my dear." Then, with his hand still over hers and his eyes looking straight into hers, he said, "Deb, do you know what a great prayer you are? Do you know that about yourself? Your prayers are just wonderful." Then he looked at me. I was sitting in a small chair by the door, and he said, "Tom, would you close the door, please?" I closed the door and sat back down. "Thanks, my dear," he said to me, then turned back to Deb. "Now, Deb, I'd like to ask you a favor," he said. "Would you lead us? Would you lead us in prayer?"

Deb stiffened for a second, and she let out a breath, and her color got deeper. "Oh, I don't know, Fred," she said. "I don't know if I want to put on a performance. ..."

Fred never stopped looking at her or let go of her hand. "It's not a performance. It's just a meeting of friends," he said. He moved his hand from her wrist to her palm and extended his other hand to me. I took it, and then put my hand around her free hand. His hand was warm, hers was cool, and we bowed our heads, and closed our eyes, and I heard Deb's voice calling out for the grace of God. What is grace? I'm not certain; all I know is that my heart felt like a spike, and then, in that room, it opened and felt like an umbrella. I had never prayed like that before, ever. I had always been a great prayer, a powerful one, but only fitfully, only out of guilt, only when fear and desperation drove me to it... and it hit me, right then, with my eyes closed, that this was the moment Fred Rogers--Mister Rogers--had been leading me to from the moment he answered the door of his apartment in his bathrobe and asked me about Old Rabbit. Once upon a time, you see, I lost something, and prayed to get it back, but when I lost it the second time, I didn't, and now this was it, the missing word, the unuttered promise, the prayer I'd been waiting to say a very long time.

"Thank you, God," Mister Rogers said

props to: http://bigbroth.multiply.com/journal/item/3/Can_you_say...Hero

6.09.2010

Why Mr. Rogers was the best neighbor ever..

1. Even Koko the Gorilla Loved Him
Most people have heard of Koko, the Stanford-educated gorilla who could speak about 1000 words in American Sign Language, and understand about 2000 in English. What most people don’t know, however, is that Koko was an avid Mister Rogers’ Neighborhood fan. As Esquire reported, when Fred Rogers took a trip out to meet Koko for his show, not only did she immediately wrap her arms around him and embrace him, she did what she’d always seen him do onscreen: she proceeded to take his shoes off!

2. He Made Thieves Think Twice
According to a TV Guide profile, Fred Rogers drove a plain old Impala for years. One day, however, the car was stolen from the street near the TV station. When Rogers filed a police report, the story was picked up by every newspaper, radio and media outlet around town. Amazingly, within 48 hours the car was left in the exact spot where it was taken from, with an apology on the dashboard. It read, “If we’d known it was yours, we never would have taken it.”

3. He Watched His Figure to the Pound
In covering Rogers’ daily routine (waking up at 5; praying for a few hours for all of his friends and family; studying; writing, making calls and reaching out to every fan who took the time to write him; going for a morning swim; getting on a scale; then really starting his day), writer Tom Junod explained that Mr. Rogers weighed in at exactly 143 pounds every day for the last 30 years of his life. He didn’t smoke, didn’t drink, didn’t eat the flesh of any animals, and was extremely disciplined in his daily routine. And while I’m not sure if any of that was because he’d mostly grown up a chubby, single child, Junod points out that Rogers found beauty in the number 143. According to the piece, Rogers came “to see that number as a gift… because, as he says, “the number 143 means ‘I love you.’ It takes one letter to say ‘I’ and four letters to say ‘love’ and three letters to say ‘you.’ One hundred and forty-three.”

4. He Saved Both Public Television and the VCR
Strange but true. When the government wanted to cut Public Television funds in 1969, the relatively unknown Mister Rogers went to Washington. Almost straight out of a Capra film, his 5-6 minute testimony on how TV had the potential to give kids hope and create more productive citizens was so simple but passionate that even the most gruff politicians were charmed. While the budget should have been cut, the funding instead jumped from $9 to $22 million. Rogers also spoke to Congress, and swayed senators into voting to allow VCR’s to record television shows from the home. It was a cantankerous debate at the time, but his argument was that recording a program like his allowed working parents to sit down with their children and watch shows as a family.

5. He Might Have Been the Most Tolerant American Ever
Mister Rogers seems to have been almost exactly the same off-screen as he was onscreen. As an ordained Presbyterian minister, and a man of tremendous faith, Mister Rogers preached tolerance first. Whenever he was asked to castigate non-Christians or gays for their differing beliefs, he would instead face them and say, with sincerity, “God loves you just the way you are.” Often this provoked ire from fundamentalists.

6. He Was Genuinely Curious About Others
Mister Rogers was known as one of the toughest interviews because he’d often befriend reporters, asking them tons of questions, taking pictures of them, compiling an album for them at the end of their time together, and calling them after to check in on them and hear about their families. He wasn’t concerned with himself, and genuinely loved hearing the life stories of others. Amazingly, it wasn’t just with reporters. Once, on a fancy trip up to a PBS exec’s house, he heard the limo driver was going to wait outside for 2 hours, so he insisted the driver come in and join them (which flustered the host). On the way back, Rogers sat up front, and when he learned that they were passing the driver’s home on the way, he asked if they could stop in to meet his family. According to the driver, it was one of the best nights of his life—the house supposedly lit up when Rogers arrived, and he played jazz piano and bantered with them late into the night. Further, like with the reporters, Rogers sent him notes and kept in touch with the driver for the rest of his life.

7. He Was Color-blindLiterally.
He couldn’t see the color blue. Of course, he was also figuratively color-blind, as you probably guessed. As were his parents who took in a black foster child when Rogers was growing up.

8. He Could Make a Subway Car full of Strangers Sing
Once while rushing to a New York meeting, there were no cabs available, so Rogers and one of his colleagues hopped on the subway. Esquire reported that the car was filled with people, and they assumed they wouldn’t be noticed. But when the crowd spotted Rogers, they all simultaneously burst into song, chanting “It’s a beautiful day in the neighborhood.” The result made Rogers smile wide.A few more things about him…

9. He Got into TV Because He Hated TV.
The first time he turned one on, he saw people angrily throwing pies in each other’s faces. He immediately vowed to use the medium for better than that. Over the years he covered topics as varied as why kids shouldn’t be scared of a haircut, or the bathroom drain (because you won’t fit!), to divorce and war.

10. He Was an Ivy League Dropout.
Rogers moved from Dartmouth to Rollins College to pursue his studies in music.

11. He Composed all the Songs on the Show, and over 200 tunes.

12. He Was a perfectionist, and Disliked Ad Libbing.
He felt he owed it to children to make sure every word on his show was thought out.

13. Michael Keaton Got His Start on the Show as an assistant — helping puppeteer and operate the trolley.

14. Several Characters on the Show are Named for His Family.
Queen Sara is named after Rogers’ wife, and the postman Mr. McFeely is named for his maternal grandfather who always talked to him like an adult, and reminded young Fred that he made every day special just by being himself. Sound familiar? It was the same way Mister Rogers closed every show.

15. The Sweaters.
Every one of the cardigans he wore on the show had been hand-knit by his mother.

Props to http://www.mentalfloss.com/blogs/archives/5943

Secret Menus

1. In-N-Out Burger’s “secret menu” isn’t so secret these days – in fact, they’ve posted it on their website. But in case you’re not in the habit of surfing fast food sites, here’s the skinny on the rather un-skinny items: ordering something “Animal Style” at In-N-Out means you’re going to get it with lettuce, tomato, a mustard-cooked beef patty, pickles, extra spread (it’s sort of Thousand-Islandy) and grilled onions. You can even get your fries Animal Style. “Protein Style” is a burger wrapped in a lettuce leaf instead of a bun. A Grilled Cheese is two slices of American cheese, lettuce, tomato and spread on a bun (grilled onions if you so choose). And you can get just about any combo of meat and cheese that you want if you order it like you’re ordering lumber: 3×3 gets you three beef patties and three slices of cheese, 4×4 gets you four of each, and so on. It doesn’t stop there – one gluttonous patron requested a 100×100 at an Las Vegas store a couple of years ago. One item not listed on the website secret menu: the Flying Dutchman, which is two slices of cheese sandwiched between two patties, hold the bun.

2. If you’re at Starbucks and in need of just a little caffeine, don’t worry – there’s a tiny option for you. It’s the Short size, and they don’t advertise it. It’s like a little baby cup of coffee. It also comes in handy when you’re scrounging for change and don’t have enough for a tall… not that that has ever happened to me.

3. It’s a good thing we don’t have Jamba Juice here in Iowa, because I would be all over candy-inspired smoothies. Because it’s considered a health-food chain, Jamba Juice doesn’t officially list these on their in-store menus, but Mighty Foods assures us that the secret flavors exist. The ones they confirmed with the company’s headquarters include Strawberry Shortcake, White Gummy Bear, PB&J, Various flavors of Starbursts, Fruity Pebbles, Push-Up Pops, and Skittles. Other tantalizing flavors that are rumored to exist: Chocolate Gummi Bear, Apple Pie, Sourpatch Kid, Tootsie Roll, Chocolate-covered strawberries, and Now and Later.

4. Chipotle has a whole secret menu that is limited only by your imagination – they have a store policy that says that if they have the item available, they will make it for you. Things that have been tested include nachos, quesadillas, taco salads and single tacos. Some stores are testing out quesadillas as a regular menu item, however, so maybe someday soon you won’t need a super-secret handshake to order one.

5. If you’re at Wendy’s and you’re really hungry – like, three-patties-just-won’t-cut-it hungry, go ahead and order the Grand Slam, which is four patties stacked on a bun. It’s also known as the Meat Cube. Gross.

6. Several places, including McDonald’s and In-N-Out, will serve you the Neapolitan milkshake. It’s just what it sounds like – chocolate, vanilla and strawberry shakes layered in a cup. This gives me a great idea… I wonder if they would make me a mint-chocolate shake when they have the Shamrock Shake in March. Hmmm. Picture from Flickr User Mrjoro.

7. Feeling a little health-conscious at Popeye’s? If you are, you really should have gone somewhere else. But there’s a little hope for you – ordering “naked chicken” will get you breading-free poultry. The word is that this is on the menu at some Popeye’s, but not all of them, although it is an option at all of them.

8. Like Chipotle, Taco Bell will make you just about anything within reason as long as they have the ingredients for it. Since most of the food at Taco Bell is made out of the same basic items, that means you can probably ask for most discontinued items and get them. One “secret,” though, is that they have a not-advertised green chili sauce at most locations, and apparently it’s excellent.

9. Some Subways will still make you the popular pizza sub from the ‘90s. Once the chain decided to make their focus healthy eating, the pizza sub disappeared from the menu in most places (the word is that Canadian and Mexican Subways still offer them on a regular basis). But if you ask, lots of places will still make it for you. Be warned, though – Jared would not approve of the nine slices of pepperoni and copious amounts of cheese slathered in marinara sauce.

10. This one might be my favorite. At Fatburger, you can order a Hypocrite – a veggie burger topped with crispy strips of bacon.

In & Out's Secret Menu

Burgers
Stock: If you ordered your burgers off the menu they would come with:
a spread similar to thousand island dressing.
one slice of tomato (two if one won't cover the entire bottom bun)
a portion of lettuce
Onions are always offered when you order. They come as a fresh slice by default, but chopped and grilled onions are available by request. The amount is constant regardless of the number of meat patties unless you ask for extra or lite of a condiment.
but instead consider ...

Custom Burgers
Note: Many of these styles can be ordered in combination (for example, Double-Double Animal Style No Salt).

Animal style is the most popular "secret" style. In addition to the standard toppings, animal style burgers include:
pickles
extra spread
extra grilled onions
mustard fried onto each meat patty.
Protein style, popular among Atkins dieters, no/low carb eaters and people who just like lots of lettuce:
replaces the hamburger bun with large leaves of lettuce.
It can be combined with other special orders, e.g., animal protein style.
Lettuce is generally colder than buns, so beware of quickly-congealing beef grease in the sandwich.
3×3, 4×4, or generally M × C refers to a burger with a varied number of meat patties (first number, M) and slices of cheese (second number, C). For example, the popular Double-Double would be 2×2 (pronounced "Two-by-two" when you order it), while a burger with 3 meat patties and 1 slice of cheese would be a 3×1 (a "three-by-one").

As of August 2006, the largest burger that can be ordered is a 4x4. Only four slices of cheese maximum may be permitted on a single burger. That may be a Davis-specific rule, as somebody checked and officially the largest you can order is a 4x6. If you are wondering about ordering a 20×20, look at this link to deter you. It is a photo essay of the terrible 20 patty journey. Or, to even better satisfy any curiosity you may have, the 100x100.

Double-Meat (a.k.a. 2×0) is a Double-Double with no cheese.
By definition a Double-Double automatically includes two slices of cheese; for two patties without the cheese, a double meat burger must be ordered.
The Flying Dutchman:
Two meat patties
two slices of cheese
no bun
Note: other condiments (including lettuce, tomato, spread, and onions) are not included unless you request them.
This is a great way to circumvent the burger size rules. i.e.: order a 4x4 and two Flying Dutchmans and you have essentially an 8x8
Grilled Cheese:
a sandwich with two slices of cheese
no meat
the grilled cheese comes stock, with spread, tomatoes, lettuce, and onions if you would like.
Like most orders, this can be combined with other styles such as animal style.
FYI: The grilled cheese used to be cooked on the side of the grill that was reserved for toasting buns (so that it wouldn't get contaminated from being cooked on the same surface used to cook meat). They now have two separate grills, one for meat, and the other for bun toasting. However, the bun grill is coated with a special non-stick surface that doesn't allow them to cook grilled cheeses on it any longer, and they have to cook them on the same surface as the meat.
Wish Burger or Veggie Burger:
A sandwich containing only vegetables, and no meat or cheese.
"Wish burger" is a reference to Rubber Biscuit, which was a massive cult hit due to Dan Aykroyd's performance of it as Elwood Blues. The song is a lament about not having enough money for food, and going hungry. The majority of the lyrics are nonsensical vocal sounds, with one of the four actual lines being: "Have you ever heard of a wish sandwich? A wish sandwich is the kind of a sandwich where you have two slices of bread and you — hum hum hum hum — wish you had some meat!"
Burger Options

Mustard Grilled patty spread with mustard, then cooked.

Chopped Chilis adds some jalapenos to the bottom of your burger.

Mustard and/or ketchup can be substituted for the spread. Only designates no spread. Cashiers may ask if you want ketchup or mustard instead.

No-salt has no salt added to the the patties. Once you add the condiments and cheese, you don't need the extra salt anyway and you can leave without feeling like a dried-out-but-satisfied lump.

Extra toasted bun/lightly toasted bun/untoasted bun. The bun come toasted by default, but you can ask to have the level of toastyness varied. The buns are toasted to add some rigidity to the burger, as an untoasted bun is flimsy under the weight of all the meat/cheese/condiments. This also prevents sauces and toppings from excessively soaking into the bun, thereby avoiding the last-bites-are-soggy problem. This needs to be the first modification requested, based on keystroke order into the register.

Extra tomatoes, extra lettuce, extra onion You can ask for all of these at no extra charge. They'll really fill out your burger and make it a more balanced meal. Especially if you're a veggie fan. I find extra raw onions to be a bit much, though. You can also ask for both raw and grilled onions.

Custom Fries
Fries well-done are extra crispy fries.
Fries light well are a little more done than regular fries, but not as crispy or greasy as the well-done fries.
Fries lite are fries that have been cooked less than normal.
Fries animal style include two slices of melted cheese, grilled onions, and spread as toppings. You'll need a fork to eat them.
Cheese Fries are fries with one or two slices of melted cheese.
Fries no-salt have no salt added to them.
Lemon fries you can make your own lemon fries—just grab a lemon slice from next to the ice tea machine, and squeeze it on your fries. It really livens things up.

Custom Drinks
Milk Shakes

A root beer float is a concoction made of half vanilla shake and half root beer soda. Be sure to specify whether you want it more creamy or soda-ey.
A neopolitan shake is a mixture of chocolate, vanilla, and strawberry flavored shakes. If an order contains a shake of each flavor, this is called "Around the world."
Strawberry, chocolate, and vanilla can be combined in any way, ie, just chocolate and vanilla, chocolate-strawberry, etc.
You can ask for extra syrup in your shake (ie extra chocolate or strawberry) — not all employees know how to do this, but this option is available as of 9-05 in Davis
Large and extra large shakes are also available. The cup sizes for these shakes are one below soft drinks (i.e. a large shake is a medium soft drink cup, while an extra large shake is a large soft drink).
Other

Milk. 2% lowfat is your only option. Yaaknow, it's for da kids.

Side Items
These items are free:
Spread - good with fries
Side of pre-packaged jalapenos.
Water comes in a clear plastic cup to distinguish it from soda/shake cups.
Creative Lemonade. Take your water cup, squeeze several free lemon wedges in, add a few free packets of sugar, stir well to blend. Fresh and tasty!

Props to http://daviswiki.org/in-n-out_secret_menu

5.16.2010

Exercising to Health

1. Be Happier at Work
Increase productivity...and maybe get a raise

An active lifestyle may help you check off extra items on your to-do list, says a study from the University of Bristol in the United Kingdom. On days staffers participated in on-site fitness activities, they reported thinking more clearly, getting more done, and interacting more effectively with colleagues. You'll be less likely to miss work due to illness, too. Research shows that people who participate in vigorous leisure-time physical activity (such as jogging or bicycling) just once or twice a week take about half the sick time of those who are more sedentary.

Do this: Sign up for workplace fitness classes. None on-site? Recruit coworkers to go for a lunch hour power walk. Or ask HR to designate a room for a noontime stretching or workout session, using DVD instruction.

2. Improve Your Vocabulary
Brush up on your Scrabble skills

A single treadmill session can make you brainier. Exercisers who ran just two 3-minute sprints, with a 2-minute break in between, learned new words 20% faster than those who rested, in a University of Muenster in Germany study. Getting your heart pumping increases blood flow, delivering more oxygen to your noggin. It also spurs new growth in the areas of the brain that control multitasking, planning, and memory.

Do this: Add a bout of exercise, like running up and down the stairs, before trying to memorize anything--say, Spanish phrases for your trip to Mexico.

3. Get Natural Pain Relief
Keep moving to ease stiff, achy joints

It may seem counterintuitive, but rest isn't necessarily best for reducing pain and stiffness in the knees, shoulders, back, or neck. Healthy adults who did aerobic activity consistently had 25% less musculoskeletal pain than their couch-bound peers, says Stanford senior research scientist Bonnie Bruce, DrPH, MPH, RD.

Exercise releases endorphins, the body's natural pain reliever, and may make you less vulnerable to tiny tears in muscles and tendons. Staying active can also provide relief for chronic conditions such as arthritis: In a University of North Carolina at Chapel Hill study, arthritis sufferers experienced 25% less pain and 16% less stiffness after 6 months of low-impact exercise like balance and strengthening moves. Most people start to feel improvement within a few weeks, says study author Leigh Callahan, PhD, an associate professor of medicine at UNC.

Do this: Practice yoga or tai chi twice a week; both increase flexibility and range of motion and reduce pain.

4. Feel Sexy at Any Size
Flaunt a figure you can be proud of

A good workout practically ensures a better body image. The simple act of exercising-regardless of your weight or fitness level-can make you feel positive about how you look, possibly due to the release of feel-good hormones, finds a review of 57 studies on exercise and body image.

Working out can also boost your libido by increasing blood flow to the genitals. University of Washington research found that just one 20-minute cycling workout enhanced sexual arousal up to 169% in women. And the benefits stand the test of time: A Harvard study of swimmers found that those over age 60 were as satisfied sexually as those decades younger.

Do this: Try 20 minutes of aerobics before a romantic evening. To feel good naked anytime, walk or do yoga daily.

5. Lower Dental Bills
A health-boost worth smiling about

Flossing and brushing, it turns out, are not the only keys to a healthy smile, says Mohammad Al-Zahrani, DDS, PhD, a former associate professor at Case Western Reserve University. Exercise plays an important role, too. In his recent study, Al-Zahrani discovered that adults who did 30 minutes of moderate activity 5 or more times a week were 42% less likely to suffer from periodontitis, a gum disease that's more common as you get older. Working out may thwart periodontitis the same way it does heart disease--by lowering levels of inflammation-causing C-reactive protein in the blood.

Do this: In addition to staying active, get a twice-yearly dental cleaning (or more often if your dentist says you are at high risk for gum disease).

6. Unlock Hidden Energy
Rouse your body out of a slump

If you're among the 50% of adults who report feeling tired at least 1 day a week, skip the java and go for a walk. University of Georgia researchers who analyzed 70 different studies concluded that moving your body increases energy and reduces fatigue. Regular exercise boosts certain fatigue-fighting brain chemicals such as norepinephrine and dopamine, which pep you up, and serotonin, a mood enhancer.

Do this: Take a 20-minute stroll for a quick pick-me-up, or aim for 40 minutes of activity daily for a sustained lift.

7. Shrink Stress Fat
Combat anxiety-related weight gain

Just two 40-minute workouts a week is enough to stop dangerous belly fat in its tracks, according to University of Alabama at Birmingham research. The waistline of those who worked out less expanded an average of 3 inches. Exercise may lower levels of hormones such as cortisol that promotes belly fat.

8. Slash Cold Risk 33%
Build up your body's defenses

Moderate exercise doesn't just rev your metabolism--it boosts your immune system, too, helping your body fight off cold bugs and other germs. Women ages 50 to 75 who did 45 minutes of cardio, 5 days a week, had a third as many colds as those who did once-weekly stretching sessions, a University of Washington study found.

Do this: Add more cardio to your routine by turning your walk into a run.

9. Improve Vision
Carrots are great, but exercise might be better

What's good for your heart is good for your eyes. An active lifestyle can cut your risk of age-related macular degeneration by up to 70%, according to a British Journal of Ophthalmology study of 4,000 adults. This incurable disease makes reading, driving, and seeing fine details difficult, and it's the most common cause of blindness after age 60.

Do this: Protect your eyes during all outdoor activities (if you're a walker, shoot for a mile a day). Be sure to wear UVA/UVB-blocking sunglasses all year long.

10. Reach the Deep-Sleep Zone
Decent shut-eye is not a far off dream

Say good night to poor sleep. Women age 60 and older who walked or danced for at least an hour, four times a week, woke up half as often and slept an average 48 minutes more a night than sedentary women, according to a study in the journal Sleep Medicine. That is good news for the many women who toss and turn more as they get older. As you age, sleep patterns start shifting, so you spend more of the night in lighter sleep phases, says Shawn Youngstedt, PhD, an assistant professor of exercise science at the University of South Carolina.

Do this: Aim to exercise for at least half an hour, even if it's after a long day. Evidence suggests that for most people, light to moderate activity in the evening won't disturb sleep, though trial and error will tell you what works for you.

11. Never Get Diabetes
Walk to keep your blood sugar in check

Walking 2 miles 5 times a week may be more effective at preventing diabetes than running nearly twice as much, report Duke University researchers. Because fat is the primary fuel for moderate exercise, walking may better improve the body's ability to release insulin and control blood sugar.

Do this: Start a walking program

12. Eliminate Belly Bloat
Shrink the muffin top

The next time you feel puffy around the middle, resist the urge to stay put. A study from Spain's Autonomous University of Barcelona suggests that mild physical activity clears gas and alleviates bloating. That's because increasing your heart rate and breathing stimulates the natural contractions of the intestinal muscles, helping to prevent constipation and gas buildup by expediting digestion.

Do this: Walk or pedal lightly on a bike until you feel better.

13. Clear Out Brain Fog
Build your mental muscle

Exercise is linked to a lower risk of Alzheimer's disease among older people; now, new research shows it can prevent brain fog at a much younger age too. Japanese researchers assigned sedentary young adults to two groups; one took aerobic exercise classes, and the other did not. After 4 months, MRIs revealed that the nonexercising group experienced shrinkage of gray matter in some areas of the brain, while the active participants had no change.

Do this: Try a new fitness routine, or sign up for a new class at the gym. Besides the obvious benefit of getting a workout, trying something fresh can help stimulate the growth of brain cells.

14. Save Your Heart
Reduce dangerous inflammation

Sedentary, obese women age 50 and older who began exercising lowered their levels of C-reactive protein-an inflammatory blood marker linked to heart disease—by 10% after 1 year, found research recently published in Medicine & Science in Sports & Exercise.

15. Add Years to Your Life
Stay healthy and active for years to come

Being physically fit can actually change how your body works. Vigorous exercisers have longer telomeres-cellular biomarkers that shorten as we age-compared with healthy adults who rarely work out.

16. Ease Your Ailments
Heal your body with yoga

Yoga has a well-earned reputation as a surefire stress reducer (particularly when combined with meditation), and new studies show the simple stretching regimen can also help treat and prevent a number of other ailments, from back pain to diabetes. Other research reveals regular yoga practice can put an end to mindless eating by creating an outlet for emotions that can lead to binging. Unfortunately, less than 15% of women over age 35 say they do yoga frequently, according to the National Sporting Goods Association.

17. Survive Breast Cancer
Increase your defenses against the disease

Exercise not only reduces breast cancer risk, it can also save your life if you're diagnosed. Overweight women who were exercising more than 3 hours a week before they were diagnosed were 47% less likely to die than those who exercised less than a half hour per week.

Do this: Sneak in mini bouts of exercise. Take a quick walk when you get the morning paper, hit the stairs before lunch, or knock out a few pushups and crunches while watching TV. Just two to three 10-minute workouts a day is enough to fill your quota for the week.

Dating on a Budget..

Take a walk on the beach at twilight; picnic optional.

Visit your local public gardens in the spring when everything is blooming.

Hike a beautiful trail and have a picnic.

Walk through the center of your town during the holiday season and enjoy the store displays and lights.

Pick an outdoor activity such as in-line skating, cycling, or jogging, and go with your honey.

Take a scenic drive through a wooded area or country road and talk.

Check with your local museum for days when admission is free. Even if you pay, it's still a relative bargain for an all day date.

Enjoy free live music, share a cup of coffee, and browse new titles at your local bookstore.

Go to the mall, not to shop but to people watch! Sit on a bench together and chat about the people you see. Try to figure out who they are and what they are shopping for.

Cook dinner for one another. Include candles and a fancy tablecloth (or a blanket on the rug if you don't have furniture).

Walk to a local fair (parking costs money) and view all the items on display. Enjoy free entertainment.

Go apple picking and make a pie together.

Go pumpkin picking and make a jack-o-lantern and pie together.

Go strawberry picking. Melt chocolate, dip strawberries, and feed to each other.

Hold a potluck with several other couples. Watch the game, play Twister, or share stories of your most embarrassing dating moments (with your former dates, of course!).

Volunteer for a cause you both believe in. Work at their events and attend for free - they get help and you get a free night out.

Stay in one night and feed each other in bed.

Do a sexy dance for each other.

Leave the kids with grandparents. Tell them you're going out to dinner, then enjoy your empty abode together, as if it were a hotel on your wedding night.

Light a fire and read poetry to each other. If you don't have any, get a book from the library or write your own love poems.

Go to a bar and have soda pop. Often, bartenders will give it to you on the house - tip them well.

Grab a trash bag or a plastic tray and sleigh ride down a snowy hill. When you get to the bottom (or fall off your "sled"), roll around with each other in the snow.

Or have a snowball fight. Then come in and enjoy hot cocoa and warm kisses.

Buy a membership or a season pass to an activity you both like (your local Y, nearby theme park, community theater, state parks pass). Use it as often as you like during season for some quality together time you will both enjoy. Once it's paid for, the rest of your dates are "free."

Go Christmas caroling together. If you're good, you might even collect tips!

3.26.2010

101 Small Pleasures

1. coloring (yes, grown-ups can do it, too)
2. crisp cotton sheets
3. soft skin
4. old family recipes
5. the first daffodils of spring
6. sleeping in
7. an exercise endorphin high
8. window boxes
9. a perfect cup of coffee
10. a genuine compliment (giving or receiving)
11. the way babies smell
12. a handwritten letter
13. waking up in a good mood...for no real reason
14. singing in the shower
15. finding a couple forgotten dollars in your pocket
16. doing something nice for your neighbor
17. a home cooked meal
18. laughing
19. movie theater popcorn
20. playing hookey
21. a bubble bath
22. swimming
23. an afternoon nap
24. street musicians
25. your favorite song
26. saying thank you
27. helping someone in need
28. old fashioned photo booths
29. fresh whipped cream
30. inspiring blogs
31. a glass of wine
32. rainy afternoons
33. the funny things kids say
34. a novel you can get lost in
35. finding the perfect piece of clothing...on sale
36. clean laundry
37. the wind in your hair
38. treating the person behind you at the drive-thru
39. sharing an umbrella
40. the smell of lavender
41. a long walk that clears your head
42. a bear hug
43. The Beatles
44. smiling at a stranger
45. eating with chopsticks (Chinese food optional)
46. butterflies
47. staying in your pj's all day
48. singing along to the radio and knowing all the words
49. fresh herbs
50. ordering in pizza
51. happy endings...even if they're fictional
52. flying a kite
53. puppies
54. root beer floats
55. holding open the door...
56. ...or having someone hold the door for you
57. fountain soda
58. white, fluffy towels
59. sunshine
60. spending an afternoon at a museum
61. really great advice
62. green lights all the way home
63. the sound of rain hitting the windows
64. sitting in a booth
65. holding hands
66. a great hair day with no effort
67. building a fort with your kids
68. when someone falls asleep with their head on your shoulder
69. fireflies
70. the perfect taco
71. geraniums on a windowsill
72. slow dancing
73. the smell of fresh-baked bread
74. cheesy, uplifting musicals
75. great stories
76. the smell of gasoline
77. the cold side of the pillow
78. love letters
79. old friends...
80. ...new friends
81. a pull-through parking space
82. a baguette -- crisp on the outside, airy on the inside
83. when a dog licks your hand
84. sitting at the counter at an old-fashioned diner
85. using your favorite dishes
86. reading your child a bedtime story
87. Girl Scout Cookies
88. flossing
89. kissing someone you love
90. the smell of onions and garlic cooking
91. hot chocolate
92. jumping in puddles
93. old photographs
94. birds hopping on the sidewalk
95. Ella Fitzgerald
96. a spoonful of peanut butter straight from the jar
97. your softest t-shirt
98. a new magazine in the mail
99. fireplaces
100. having exact change
101. bacon and pancakes cooking on Saturday morning

2.08.2010

Friendship Promise

You Are My Friend And I Hope
You Know That's True.
No Matter What Happens
I Will Stand Right By You.

In Times Of Grief
I Will Give You Belief.
I'll Be There For You
Whenever You Are In Need.
To Lend You A Hand
To Do A Good Deed.

So Just Call On Me When
You Need Me, My Friend!
I Will Always Be There For You
Right To The End!

Best Friends Forever!

Friends

Friends answer your needs before their own.
You come to them with your hunger,
And they satisfy you with peace.
That's how friends are.

Friends let you speak your mind,
Without worrying what their thoughts will be.
Friends know when you are silent,
They need to listen your heart.

Friends share the joy and the pain.
They know about desire and rejection.
Friends allow you to be who you are,
Without expectations of who you should be.

Friends don't come with a purpose,
They don't come with a plan.
They come to enlighten your spirit,
They come to brighten your heart.

They come to give you a hand when needed
And expect nothing in return.
It is the little things that friends do.
Like fill your heart with pleasure, hope and joy.

AAHH... The Sweetness Of Friendsip
There can be no price placed on Friendship
It has once been told.
For Friendships are worth far more than gold.

How Many Friends?

The old man turned to me and asked
"How many friends have you?"
Why 10 or 20 friends have I,
And named off just a few...

He rose quite slow with effort
And sadly shook his head
"A lucky child you are
To have so many friends," he said

But think of what you're saying
There is so much you do not know
A friend is just not someone
To whom you say "Hello"

A friends a tender shoulder
On which to softly cry
A well to pour your troubles down
And raise your spirits high

A friend is a hand to pull you up
From darkness and despair...
When all your other "so called" friends
Have helped to put you there

A true friend is an ally
Who can't be moved or bought
A voice to keep your name alive
When others have forgot

But most of all a friend is a heart
A strong and sturdy wall
For from the hearts of friends
There comes the greatest love of all!!!

So think of what I've spoken
For every word is true
And answer once again my child
How many friends have you???

And then he stood and faced me
Awaiting my reply
Softly I answered
"If lucky.. one have "I"

"You!!"

Friend & Acquaintance

There is a difference between being an acquaintance and being a friend. An acquaintance is someone whose name you know, who you see every now and then, who you probably have something in common with and who you feel comfortable around.

It's a person that you can invite to your home and share things with. But they are people who you don't share your life with, whose actions sometimes you don't understand because you don't know enough about them.

On the other hand, a friend is someone you love. Not that you are "in love" with them, but you care about them and you think about them when they are not there. The people you are reminded of when you see something they might like, and you know this because you know them so well. They are the people whose pictures you have and whose faces are in your head regardless.

Friends are the people you feel safe around because you know they care about you. They call just to see how you are doing, because a friend doesn't need an excuse. They tell you the truth, the first time, and you do the same. You know that if you have a problem, they are there to listen.

Friends are the people who won't laugh at you or hurt you, and if they do hurt you they try hard to make it up to you. They are the people you love, regardless of whether you realize it.

Friends are the people you cried with when you got rejected from colleges and during the last song at the prom and at graduation. They are the people that when you hug them, you don't think about how long to hug and who's going to be the first one to let go.

Maybe they are the people that hold the rings at your wedding, or maybe they are the people who give you away at your wedding, or maybe they are the people you marry. Maybe they are the people who cry at your wedding because they are happy or because they are proud.

They are the people who stop you from making mistakes and help you when you do. They are are the people whose hand you can hold, or you can hug or give them a kiss and not have it be awkward because they understand the things you do and they love you for them.

They stick with you and stand by you. They hold your hand. They watch you live and you watch them live and you learn from them. Your life is not the same without them.

2.07.2010

Build a box of friendship

Into a box of friendship
To insure that it is strong
First a layer of respect
On the bottom does belong
Then to the sides attach
In the corners where they meet
Several anchors full of trust
Devoid of all deceit
The height of friendship can be measured
By the sides of four
So make them all a larger cut
And the box will hold much more
Now fill it up with courtesy
Honor and esteem
Understanding, sympathy
And passion for a dream
Add to that your honesty
Emotions joy and love
And since they're so important
Place them up above
But leave the box wide open
So all can see inside
To learn what makes a friendship work
From the box you built with pride